This image was taken with a special digital camera of my own invention. This camera takes hundreds of “slices” per second and stitches together an image that records the corn in the round, laying flat the natural patterns of the kernels.

I wanted to create a monument to all the cultures that inhabited the land and the thing that they all had in common, corn--one of man’s first and most successful genetic manipulation projects. This permanent project is housed in a small building call the Corn Crib. I used my special digital slitscan camera to photograph heirloom corn varieties and symbolically “re-fill” this unused building.

This image was taken with a special digital camera of my own invention. This camera takes hundreds of “slices” per second and stitches together an image that records the corn in the round, laying flat the natural patterns of the kernels.

I wanted to create a monument to all the cultures that inhabited the land and the thing that they all had in common, corn--one of man’s first and most successful genetic manipulation projects. This permanent project is housed in a small building call the Corn Crib. I used my special digital slitscan camera to photograph heirloom corn varieties and symbolically “re-fill” this unused building.

This image was taken with a special digital camera of my own invention. This camera takes hundreds of “slices” per second and stitches together an image that records the corn in the round, laying flat the natural patterns of the kernels.

I wanted to create a monument to all the cultures that inhabited the land and the thing that they all had in common, corn--one of man’s first and most successful genetic manipulation projects. This permanent project is housed in a small building call the Corn Crib. I used my special digital slitscan camera to photograph heirloom corn varieties and symbolically “re-fill” this unused building.

This image was taken with a special digital camera of my own invention. This camera takes hundreds of “slices” per second and stitches together an image that records the corn in the round, laying flat the natural patterns of the kernels.

I wanted to create a monument to all the cultures that inhabited the land and the thing that they all had in common, corn--one of man’s first and most successful genetic manipulation projects. This permanent project is housed in a small building call the Corn Crib. I used my special digital slitscan camera to photograph heirloom corn varieties and symbolically “re-fill” this unused building.

This image was taken with a special digital camera of my own invention. This camera takes hundreds of “slices” per second and stitches together an image that records the corn in the round, laying flat the natural patterns of the kernels.

I wanted to create a monument to all the cultures that inhabited the land and the thing that they all had in common, corn--one of man’s first and most successful genetic manipulation projects. This permanent project is housed in a small building call the Corn Crib. I used my special digital slitscan camera to photograph heirloom corn varieties and symbolically “re-fill” this unused building.

This image was taken with a special digital camera of my own invention. This camera takes hundreds of “slices” per second and stitches together an image that records the corn in the round, laying flat the natural patterns of the kernels.

I wanted to create a monument to all the cultures that inhabited the land and the thing that they all had in common, corn--one of man’s first and most successful genetic manipulation projects. This permanent project is housed in a small building call the Corn Crib. I used my special digital slitscan camera to photograph heirloom corn varieties and symbolically “re-fill” this unused building.

This image was taken with a special digital camera of my own invention. This camera takes hundreds of “slices” per second and stitches together an image that records the corn in the round, laying flat the natural patterns of the kernels.

I wanted to create a monument to all the cultures that inhabited the land and the thing that they all had in common, corn--one of man’s first and most successful genetic manipulation projects. This permanent project is housed in a small building call the Corn Crib. I used my special digital slitscan camera to photograph heirloom corn varieties and symbolically “re-fill” this unused building.

This image was taken with a special digital camera of my own invention. This camera takes hundreds of “slices” per second and stitches together an image that records the corn in the round, laying flat the natural patterns of the kernels.

I wanted to create a monument to all the cultures that inhabited the land and the thing that they all had in common, corn--one of man’s first and most successful genetic manipulation projects. This permanent project is housed in a small building call the Corn Crib. I used my special digital slitscan camera to photograph heirloom corn varieties and symbolically “re-fill” this unused building.

This image was taken with a special digital camera of my own invention. This camera takes hundreds of “slices” per second and stitches together an image that records the corn in the round, laying flat the natural patterns of the kernels.

I wanted to create a monument to all the cultures that inhabited the land and the thing that they all had in common, corn--one of man’s first and most successful genetic manipulation projects. This permanent project is housed in a small building call the Corn Crib. I used my special digital slitscan camera to photograph heirloom corn varieties and symbolically “re-fill” this unused building.